Feets Don’t Fail Me Now!

Feet don't fail me now!My sister and I picked up this expression from an old Bob Hope movie and made it our goofy mantra for whenever we found ourselves in a difficult situation.  More recently, I was teaching a class where I asked people if they knew where their feet were and everyone laughed.  But upon examination, most people were not sure which way their toes pointed, how their foot contacted the floor while walking or how they pushed off.  In fact, for most people, our feet are so far away, we only think of them when they hurt.

Yet every day, our feet take us to work, jogging, dancing, into and out of trouble. They help carry endless bags of groceries, babies, laptops, or bags of mulch. They lead us to job interviews, wars, first dates, parties, divorces, diplomatic negotiations, and the dreaded committee meeting.  Another expression, “Putting your best foot forward,” can suddenly have a deeper meaning.

Your feet go where your mind takes them.  On a mission?  Your feet race to get you there on time.  Daydreaming in the park? Your feet shuffle along, maybe kicking a stone, meandering over to a flower.  Darwin once said that we stamp our feet when angry because we are frustrated that we can’t get what we want in the same way that a horse trapped in a barn will stomp his hooves.

So what happens when your feet won’t obey your mind?  Maybe you’d like to be assertive and confident, but your feet insist on turning out like duck feet, forcing you to not move as efficiently as you like.  Painful bunions and “fallen arches” likewise create limitations for “stepping up to the plate.” Often these foot challenges affect the knees, hips and even posture.  Those two little supports down at the bottom of your body are really important after all!

There are many explorations you can do to develop awareness and comfort in your feet. Here is a simple movement sequence based on the Feldenkrais Method you can play with.  If you find this helpful or intriguing, you can find a teacher or CDs to help you learn more.

This exercise works better if you can do it without shoes. Stand with your hands on a wall or on the back of a chair.  Notice where the weight is under your feet without trying to fix anything.  Shift your weight to your left leg and begin to raise and lower your right heel by bending your right knee.  As you do it, notice if your pelvis is affected at all.  Allow your pelvis to tilt as you raise your heel.  Which way feels more logical?  Rest, then try the same thing on the left.  After resting again, (feel free to sit down) shift your weight to the left leg again, and this time, begin to raise the ball of your right foot.  Which way would your pelvis go now?  The leg remains straight, and you tilt your pelvis so that your tailbone reaches back and you create a bigger curve in your lower back.  Try the same thing on the left, including the movement of the pelvis in each direction.  Then try going from heel to toe a few times on each foot.

Just stand still a moment and notice if your feet touch differently now.  Take a walk around and see if your feet and your mind are communicating differently than before.

 

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Listen To the Hand

Whether you were taught to fold your hands on your lap, hold your hands behind your back, or shove them in your pockets, you won’t be able to avoid the fact that your hands are communicating all the time.  After many years of debate, researchers have finally agreed with ancient wisdom: gestures precede words.  Although we can’t travel back to early humans and how they communicated, we can surmise from this that gesture has been a key ingredient in conversation for millions of years.

Most people think that we gesture in order to help clarify our ideas to others.  But we’re really gesturing in order to clarify our ideas to ourselves. The movement of your hands are like a feedback device to your brain.  We’ve all heard the cliché, “Actions speak louder than words.”  Your gestures often reveal the truth behind your carefully chosen words.

In the early nineteenth century, a man named Francois Delsarte was the premier body language expert of his time.  He developed a system for studying the whole body and how it communicates.  Long before modern science, Delsarte stated that the hands were connected to the thoughts.  “Gestures are the lightning, words are the thunder,” he once said.  Besides identifying parts of the hand associated with our mental, emotional and physical processes, Delsarte broke our gesture language into nine functions:

1)    To define or indicate – e.g. pointing.

2)    To affirm or deny –hand moving up and down, or sideways

3)    To mold or detect – fingers softly coming apart and together

4)    To conceal or reveal – closing and opening fist

5)    To surrender or hold – open palm or cupped palm

6)    To accept or reject – palm beckons or palm pushes away

7)    To inquire or acquire – hand reaches or pulls inward

8)    To support or protect – palm up or covering

9)    To caress or attack – to stroke or slap

You can experience the difference in how a gesture affects the quality of your words by saying a simple sentence:  “I have no idea.”  If your palm pushes away, you are rejecting the whole concept.  Try it with closed fists, and you can feel how it’s as if you’re holding something back.  Reach your hand out to someone and you’re begging for the answer.  These are just a few ways to amplify the words.  Of course, hand gestures are a small part of your body’s story.

Play around with the following sentences and see how changing your hands affects the words. Pay attention to what the rest of your body chooses to do as you gesture.

“You can count on me.”

“I can count on you.”

“I really like that idea.”

“Have you considered another alternative?”

“I am definitely qualified for the job.”

There is a Greek saying that “language was invented so that men could lie.” But it takes mastery to control one’s gestures.  You can begin today with some simple things to remember while in conversation.

1) If you want someone to trust or like you, don’t put your hands in your pockets.  It means you’re literally “hiding your thoughts.”  In television, they call hands in pockets “the kiss of death” for a TV guest.

2) While folding your arms across your chest does not, as is commonly believed, always mean you are “closed”, it is a protective gesture.  You may be feeling insecure, or want to keep your thoughts to yourself, literally.  It can affect your easy breathing (more on that in a later article).  It limits your gestures, making people feel you are holding back. Just try to check in with yourself when you catch yourself folding your arms in a conversation.

3) When in doubt, as weird as it feels, allow your arms to rest by your sides.  That neutral space gives people permission to speak to you.

 

4) As your mother said, avoid pointing, unless you’re trying to direct people’s attention to something.  Pointing at someone always feels like an attack or an accusation.

5) Be aware of clenching your fists.  Even though it seems like a small gesture, it betrays and actually causes tension as well as again, giving the impression of hiding something.

My book, Walking Your Talk: Changing Your Life Through the Magic of Body Language, contains many more exercises that can help you understand your gestures.

 

 

 

 

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Stopping Time

Einstein once said: “When you sit with a nice girl for two hours, it seems like two minutes. When you sit on a hot stove for two minutes, it seems like two hours.  That’s relativity.”

Everyone is moaning that time is speeding up, that we have less time to think, plan, rest, as we scurry every faster like the Red Queen in Through the Looking Glass. But if Einstein is right, then time is just another perception. So if the faster you go, the faster time goes, what would be the opposite?  Why slowing down of course.  Jeremy Rifkin, in his book, Time Wars, suggested that when time seems to be going too quickly, the best thing to do is to just stop and be present. If I am in the present moment, time doesn’t even exist, because every moment is just right now.

The other day, my internet went down as I was reading an article on entropy.  Wow, disorder right before my very eyes, I thought.  After waiting, and cursing, and wandering about the house like a lost soul, I found myself in my library staring at the Encyclopedia Brittanica.  Yup, the real thing, all thirty volumes, staring reproachfully at me, abandoned and forgotten for years. I looked up entropy. I soon had seven volumes spread out on the bed and actually thought, “It’s like 3D Google!” Among all the fascinating things I read was an explanation that entropy proves the irreversibility of time.  So, if I stop time, am I reversing entropy?

Every Feldenkrais lesson is an opportunity to reverse entropy.  Or at least to stop time for a bit.  Moving slowly, pausing and allowing your attention to expand, has been known to reduce stress and anxiety, two products of our hurried lifestyle.  Who knows, maybe if everyone lies down at the same time to just listen their breath, we could, well, change the world.

So after reading this, just for a moment, stop. This is your moment.

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Effortless Running

I couldn’t say it better myself.  This article by Edward Yu, a Feldenkrais practitioner and tai chi teacher reminds us that it’s not how hard you work, but how smart. Check it out as well as his newbook, The Art of Slowing Down

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Shiny, Happy People

I was teasing my husband the other day about his attraction to shiny objects: the chrome of a motorcycle fender, the glimmer of a diamond earring, the reflection of light in the bottom of a pot he’s cleaning, Ron is always chasing the light.

We’re all in love with light, and winter makes us long for brightness.  One of my favorite holiday traditions is decorating with lights.  Those tiny, colorful points of hope in the dark that illuminate a door frame, a branch, the side of my hat as I walk up the driveway, attracting me to details that can go unnoticed in other circumstances.

Attention can be a light on myself.  It shines on the tension in my shoulder, or how I breathe as I roll to my side to come up.  This season, take a moment to light yourself up. Turn your attention to shine on how you put your key in the ignition, the expression on your face as you greet a friend, the movement of your legs as you race through the mall.  It might “bring to light” a whole new way of enjoying the holidays!

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It’s not just a good idea, it’s the law

I love gravity.  Not the kind some of my professors had in college, where every word they uttered landed like an anvil on my shoulders till I felt moored to my desk like someone stuck in a drill press.  I’m talking about that wonderful law that nobody seems to understand but everyone is affected by. I’m this little speck of dust somehow attached to a giant ball whirling at about 1000 mph as it careens in a 602 million mile orbit around the sun in a year. I’m bad at math, but that seemed to work out to almost 69,000 mph. Not only do my feet (usually) stay connected to the earth, there are many times when gravity likes to play tricks on me so that at the most inopportune times I’ll find my butt or my face connected to the earth as well.  Whether it’s yanking a resistant weed, missing the last step in a flight of stairs (or worse, the first step), sliding on some spilled water in the kitchen, or tripping over those invisible sidewalk cracks, I’ve made an art of the crash landing.

Recent studies have shown that fear of falling actually increases falls. Neuroscience Research Australia tracked 500 Sydney residents whose average age was 78.  Through various tests, they were divided into groups based on their fear of falling.  After following theim for a year, they found that the group that feared falling….fell. Interestingly, the study found another liability in the anxious group. According to Stephen Lord, a member of the research team, “These anxious people were more likely to be depressed, to have restricted their activities, and it looks as though these factors feed on each other. People who are fearful do less, and that leads to deconditioning, to a loss of strength and balance,” he explained. Increasingly phobic about falling, sometimes unwilling to leave their homes, “they become preoccupied with the possibility. They catastrophize.”

Dr. Moshe Feldenkrais once defined maturity as not being afraid of falling. He didn’t say you should prevent falls, or avoid falls or protect yourself from falling.  He understood that the mysterious forces of gravity want you hugging the carpet. Feldenkrais was a black belt in Judo, and used that knowledge to develop ways for everyone to learn how to recover from falling.  The Feldenkrais Method teaches you not only how to fall well, but how to get back up. Sure nobody wants to fall, but fear of falling is one of the greatest contributors to injuries as the result of falling.  Instead of crash landing and breaking bones, would it not be better to know, in the instant of descent, that your body knows how to land softly and that you have options for recovery?

And if you’re not afraid to fall, maybe other kinds of falls may not seem so perilous: falling behind, falling out of favor, falling short, even falling in love. And is it coincidence that there is only one letter different between falling and failing?

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Getting Organized

When I was a young performer, I had the privilege of touring with a seasoned director for several years named Claude Kipnis.  When I encountered difficulty in performing a role he growled, “Don’t get stuck in your limitations, turn your liabilities into assets!”  I had no idea what he was talking about, since at the time I didn’t realize that the very reasons I was having difficulty was my inability to perceive what those liabilities were.  “Don’t be afraid to go to the edge!’ he would urge, “It’s only then that you will see the possibilities.” Claude is long dead, but his words ring for me each time I feel I’ve come to a wall in my development.

The list of my discovery of my “liabilities” would take up much more than this newsletter.  But the process of understanding my personal constraints and how to use them has been rich indeed.

Contemporary biologists are exploring how constraints, either molecular, environmental or other, allow different possibilities to emerge in life forms.  I don’t pretend to understand much of it, but one of the things they say differentiates living forms from say, snowflakes, is function and intention. Ursula Goodenough, a biologist from Washington University, says, “Life is different from non-life because it generates selves with teleodynamic (self organizingmy note) constraints, molecular arrangements that are for something, have a purpose, point to goals that, if achieved, allow the self to make the crucial natural-selection cut.”

A snowflake organizes itself around a set of constraints as well, but will always be a snowflake.  It will never want to get bigger, prettier, more powerful.  It will never want to reproduce.  Each one of us has a sense of purpose even if sometimes we don’t know what it is. We have obvious constraints – our physical structure, gravity, the bag of skin that encloses our organs.  But what are our invisible constraints?  Hidden tensions, old stories, unhealed injuries, education – liabilities that psychologist Stanley Kelemen once called, “…insults to form.”  I heard recently that they are growing watermelons in square molds to make them more stackable.  Those watermelons are making the best of their situation and still being as watermelon as they can.  What box are we stuck in?

I eventually learned from Claude that my overly expressive face, while a liability for dance, was excellent for slapstick comedy. He taught me that my fear of imperfection made for a perfect clown character, since of course, I always failed at being perfect, and a good clown ALWAYS fails.  Because of that, I also learned to risk standing on the edge of looking ridiculous, of bombing on stage.  That place, looking out at the abyss of the unknown, is where real possibilities for transformation take place.  Water molecules may not get nervous as they heat up and transition to steam.  But a fledgling bird needs to stand on the edge of that nest and wish to fly before it’s truly a bird.

Awareness Through Movement® can help you discover not only how to understand your personal constraints and how to turn them into assets, but how to use them to move beyond your perceived edge with elegance and ease. Like the bird suddenly spreading its wings, you’ll find you had the resources all along to become your true self.

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The Creative Body

Welcome to the Creative Body, a resource and forum for exploring the intersection between body and mind, movement and possibility, expression and introspection.  Take a tour, post a comment.  If you’d like to submit an article, please send material to lavinia@laviniaplonka.com.

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Your Wish Is My Command

The morning of my birthday, I dreamt I worked in a Parisian parfumerie as a clerk. All the women were delicate, formerly lovely creatures who still dolled up every morning as if to meet a beau. There was a distinctive Umbrellas of Cherbourg vibe to their cheery, twittery chatter as they compared new kinds of make up and exclaimed over hairdos. I felt a deep sadness that so many lives of great promise had ended up in a loop of empty optimism and unfulfilled dreams.

I woke up and screwed my eyes shut to try to sleep longer, “It’s your birthday, dammit, you can sleep in.” But the dream’s heavy atmosphere billowed around my fragile self image as gremlin voices nagged, “Well, how are you any better than those ladies? Do you have an Academy Award? Have you published your novel? Are you a millionaire?”

I looked at the pile of bills, the unpainted floor, the to do list (go to Sam’s Club for brie, pick up cat food, kill the blister beetles, mow the lawn) and fought the urge to just fall to the floor and whine. What had I done to deserve this? This mediocre, ordinary life of petty responsibilities, inconsequential worries (Come on! There’s a war in Afghanistan for goodness’ sake!) and lack of celebrity, or acclaim, or at least wealth.

At my computer were dozens of Happy Birthdays from my Facebook friends. Most were people I never speak to, some I don’t even know. Instead of being moved, my bitter attitude scoffed, “Yeah, it’s so easy to just click on my Wall with Happy Birthday, like they really care.” Then came the E Cards, and my wall began to crumble. Funny cards, sentimental cards, goofy Jacquie Lawson cards. Tears began to well up. And then I saw an email from my mother. She lives in Hospice, dying of ALS. She can’t walk, talk, eat, hold her own head up. She struggles to write every word, using her left hand to push her right hand. Yet somehow, she had communicated with one of the aides there to open her computer and type me a Happy Birthday email. I melted in incoherent sobs. My poor husband Ron, who has witnessed countless breakdowns, just stood there patting me saying, “There, there.”

“Why am I crying?” I cried. He shrugged. “It’s your birthday, you can do what you want.”

“I just don’t understand, what did I do wrong in my life? How is it that Robert Downey Jr. can be arrested for drugs and drinking and still be a multimillion dollar movie star and I try to do the right thing and it gets me nowhere?” Don’t get me wrong. I enjoy Robert Downey Jr. I just suddenly saw that the equation my parents tried to drill into me, “Work hard, be impeccable and you will be rich,” doesn’t always hold true.

“You don’t know,” replied Ron. “Maybe Robert Downey Jr. is still searching for meaning as well. Maybe all that money doesn’t mean much, so he drinks to feel something or to fulfill a lack.” Right.

“So it’s your birthday. What do you want to do?” he asked. I honestly didn’t know. Part of me felt like I should keep working. The list would never be done. Instead, I said, “Let’s go for a hike.” Silently I prayed, “Dear God, or Goddess, please send me a sign. Just any sign that lets me know life is worth living.” As we left, I grabbed a plastic bag. I thought to myself, “Wouldn’t it be nice to find some chicken mushrooms on my birthday?”

We’ve been experiencing what the newspaper has called “a mild drought.” So hoping for mushrooms of any kind seemed quixotic. But within ten minutes of our hike, spread out on a log as if they were a presentation, was a spectacular row of chicken mushrooms. I stared. I had gotten exactly what I asked for. For the whole rest of the hike, there was not a single mushroom.

It couldn’t have been a clearer message.. Ask for chicken mushrooms. Get chicken mushrooms. It’s like God was sitting up there with folded arms saying, “I’d really like to give you what you want. But you keep sending mixed messages. So I send you a little prosperity, a little adversity. The good and the bad. As soon as you figure out what you REALLY want, I’ll send it Fed Ex, no wait, I’m God, I can just instantaneously make it manifest. Happy Birthday, kiddo.” Needless to say, I’m having chicken mushrooms for my birthday dinner. And I’ve decided I didn’t have an emotional breakdown. It was an emotional breakthrough. What a birthday gift.

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Unlocking the rib cage

I was working with someone recently who had a great deal of back pain. She was lying on her side on the table and I was gently exploring the area where her spine connected to her ribs. “What are you doing” she asked.
“I’m exploring how your ribs move,” I answered.
She shot up and stared at me in disbelief. “My ribs are supposed to move?” She was incredulous. After she calmed down, I assured her that she moved her ribs all the time: bending, reaching, twisting. They do all these marvelous movements without us ever noticing. But when back pain, shoulder pain, even neck pain strikes, we rarely think that it might have something to do with the ribs.

While it’s true that the bones of the ribs can look like a cage, it’s an inaccurate image. Each rib can move in relation to the others, coming together and apart according to the activity. The bars of a cage are immobile. For some people, this “cage” becomes almost like a suit of armor, over protecting parts of the trunk. Emotional trauma often affects breathing and posture, which causes the ribs to seem almost stuck, leading to a vicious cycle of immoblization. My ribs are stiff, my breathing gets shallow. My breathing is shallow, my ribs move less, etc. That’s when the ribs do become prison bars! As student told me a story of a faculty meeting at his school where someone had proposed a program he was uncomfortable with. “I sat there and folded my arms across my chest as I listened to the proposal. I don’t think it’s a habitual posture for me, but as the other teacher talked, I felt myself full of resistance to his idea. All of a sudden I realized that my arms were holding my chest so tightly that I was barely breathing. I put my arms down by my sides and instantly felt more air coming in. As my ability to breathe increased, I was literally better able to take in his idea, let it move around in me.”

A frozen rib cage interferes with freedom of expression. After all, even an exhale is an “expression” of air! In theater there is a saying, “The chest does not lie.” This statement infers that your true emotional state is reflected in the carriage of your chest. Unconsciously, we are both communicating as well as reading others’ emotions in sometimes subtle, but sometimes large shifts in the chest. For the last 200 years, science and medicine insisted that the organs in the torso are merely mechanical devices; pumps and bellows that keep the human machine running. The idea that emotional life is somehow connected to these physiological functions was ridiculed. And yet, we would talk about someone walking around with his chest “puffed up.” Or having a “gut feeling.”

Neurotransmitters have been found in the stomach indicating that a “gut feeling” may be a kind of intelligence that informs the thinking brain. New discoveries in the field of neurocardiology are prompting some to call the heart another brain, the seat of the emotional intelligence. While science may have forgotten, or misunderstood its importance in relation to our body language, our “kinesthetic sense” has always been there for us to see as St. Exupery’s Little Prince once said, “Not just with the eyes, but with the heart.”

Here’s a simple exercise to try. Find a neutral stance. Where do you find your chest right now? Is it forward or back of the plumb line? Is this where your chest is all the time? Walk around a little bit and experiment with the position of your chest. Try expanding it , puffing it out. How does that affect the rest of your walk? How do you feel? Sink your chest in and down, as if you had pushed all the air out of your lungs. Walk around a bit like this and notice what comes up.

When you try an exercise like the above, it is important to give yourself a little time to let the posture sink in. Many people are afraid to experience different postures, especially in the chest, because it interferes with our habitual posture, shaking up our self image. But what a wonderful way to experience not only new options for yourself, but how you might better understand others who carry themselves differently from you.

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