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<channel>
	<title>The Creative Body</title>
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	<link>http://thecreativebody.com</link>
	<description>Synthesizing movement, awareness and the arts</description>
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		<title>On The Other Hand</title>
		<link>http://thecreativebody.com/2012/02/on-the-other-hand/</link>
		<comments>http://thecreativebody.com/2012/02/on-the-other-hand/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 02:47:33 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[Awareness Through Movement]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[Moshe Feldenkrais]]></category>
		<category><![CDATA[movement]]></category>
		<category><![CDATA[the matrix]]></category>

		<guid isPermaLink="false">http://thecreativebody.com/?p=172</guid>
		<description><![CDATA[            An article by Herbert Wray recently suggested that movement enhances creative thinking.  Imagine that J. It cited a number of very serious studies, including one where they told people to gesture with their hands &#8230; <a href="http://thecreativebody.com/2012/02/on-the-other-hand/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>            <a href="http://thecreativebody.com/wp-content/uploads/2012/02/box.jpg"><img class="alignright size-medium wp-image-173" title="box" src="http://thecreativebody.com/wp-content/uploads/2012/02/box-300x170.jpg" alt="" width="300" height="170" /></a>An article by <a href="http://www.huffingtonpost.com/wray-herbert/physical-creative-process-_b_1031291.html?ref=mostpopular">Herbert Wray</a> recently suggested that movement enhances creative thinking.  Imagine that J. It cited a number of very serious studies, including one where they told people to gesture with their hands as they spoke.  The people who literally embodied “on the other hand,” by using both hands to solve a problem, came up with more creative solutions than the people who only gestured with one hand.   </p>
<p>            I’m guessing Mr. Wray never read any of <a href="http://feldenkrais.com">Moshe Feldenkrais</a>’ writing, or he would have known that movement and creativity have been linked for over 50 years.  In developing <a href="http://laviniaplonka.com/feldenkrais.html">Awareness Through Movement®</a> lessons, Feldenkrais often said, “It’s not flexible bodies, it’s flexible minds I’m after.”  He understood the link between movement and thinking in ways that modern science is only now beginning to verify. </p>
<p>            When people regularly attend Feldenkrais classes, perceived limitations and obstacles become opportunities for seeing in a completely new way.  In Wray’s article, he speaks about people literally thinking “outside the box” by walking around the outside of a box.  In Feldenkrais classes, we can go beyond that and realize that even the box is a perception. We can think through and around the box.  In the movie <em><a href="http://www.imdb.com/title/tt0133093/">The Matrix</a></em>, the hero encounters a child bending a spoon with her mind.  The child says, “The secret is, there is no spoon.”  Instead of struggling with challenges in a habitual way, the challenges transform and disappear, like the spoon.  Feldenkrais students don’t just think outside the box; they learn that indeed, there is no box.</p>
<p>&nbsp;</p>
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		<title>Doors of Perception</title>
		<link>http://thecreativebody.com/2011/12/doors-of-perception/</link>
		<comments>http://thecreativebody.com/2011/12/doors-of-perception/#comments</comments>
		<pubDate>Tue, 27 Dec 2011 03:43:00 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[awareness]]></category>
		<category><![CDATA[breath]]></category>
		<category><![CDATA[doors]]></category>
		<category><![CDATA[present]]></category>
		<category><![CDATA[relax]]></category>
		<category><![CDATA[sense]]></category>
		<category><![CDATA[threshold]]></category>
		<category><![CDATA[time]]></category>

		<guid isPermaLink="false">http://thecreativebody.com/?p=167</guid>
		<description><![CDATA[Finally! There is a scientific explanation for forgetting. I feel so relieved. A recent study has found that when you cross a threshold or go through a doorway, you experience a temporal distortion that places you in a different time/space than &#8230; <a href="http://thecreativebody.com/2011/12/doors-of-perception/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Finally! There is a scientific explanation for forgetting. I feel so relieved. A <a href="http://bps-research-digest.blogspot.com/2011/11/how-walking-through-doorway-increases.html">recent study</a> has found that when you cross a threshold or go through a doorway, you experience a temporal distortion that places you in a different time/space than on the other side. So of course you can&#8217;t remember why you came into the room. Was it to check the weather? Pick up that sweater? Sometimes you have to go back through the door in order to remember.</p>
<p><div id="attachment_168" class="wp-caption alignright" style="width: 249px"><a href="http://thecreativebody.com/wp-content/uploads/2011/12/Doors-72dpi-1.jpg"><img class="size-medium wp-image-168" title="The Way" src="http://thecreativebody.com/wp-content/uploads/2011/12/Doors-72dpi-1-239x300.jpg" alt="" width="239" height="300" /></a><p class="wp-caption-text">photo: Ron Morecraft</p></div>
<p>How many doors will you pass through this holiday season? Relatives&#8217; homes, airport terminals, department stores: all offer thresholds. Will you remember or will you forget what&#8217;s really important?</p>
<p> This season, I&#8217;m going to use the doorway as an invitation to remember&#8230;me. As an experiment, I will try to remember to pause and take a breath, sense my feet on the floor and maybe even relax my shoulders. Then it should be a breeze to step into the present, the most precious gift of all.</p>
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		<title>Take 2 elevator speech</title>
		<link>http://thecreativebody.com/2011/11/take-2-elevator-speech/</link>
		<comments>http://thecreativebody.com/2011/11/take-2-elevator-speech/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 02:01:58 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=156</guid>
		<description><![CDATA[Thanks for all the feedback both here and in Facebook.  Here&#8217;s take 2: “Less pain, more gain,” is the Feldenkrais motto.  Gentle, easy movement sequences developed over forty years of research change the way you move and in the process &#8230; <a href="http://thecreativebody.com/2011/11/take-2-elevator-speech/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Thanks for all the feedback both here and in Facebook.  Here&#8217;s take 2:</p>
<p>“Less pain, more gain,” is the Feldenkrais motto.  Gentle, easy movement sequences developed over forty years of research change the way you move and in the process change the way you feel, think and act in all aspects of your life.  In both group classes, called Awareness Through Movement® and private lessons (Functional Integration®),  the emphasis is on inquiry, not striving.  The movements, done lying down, sitting and standing, improve posture, breathing, range of motion and quality of life.  There is nothing to memorize and anyone can participate. From Olympic athletes and baby boomers to musicians and people with neurological challenges, the Feldenkrais Method offers a non-invasive way to live life the way you want it.</p>
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		<title>Feldenkrais Elevator Speech</title>
		<link>http://thecreativebody.com/2011/11/feldenkrais-elevator-speech/</link>
		<comments>http://thecreativebody.com/2011/11/feldenkrais-elevator-speech/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 22:05:59 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=151</guid>
		<description><![CDATA[So many people tell me that they have a hard time explaining to their friends what Feldenkrais is.  So I am creating a little card for them to hand to the questioners.  Thing is, I know what Feldenkrais is, so &#8230; <a href="http://thecreativebody.com/2011/11/feldenkrais-elevator-speech/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>So many people tell me that they have a hard time explaining to their friends what Feldenkrais is.  So I am creating a little card for them to hand to the questioners.  Thing is, I <em>know </em>what Feldenkrais is, so sometimes I miss what might help clarify an explanation.  So I&#8217;m posting it here to get your feedback.  Better yet, share it with someone who doesn&#8217;t know what it is and let me know what they think! And then we can all use it to make the elusive, obvious.</p>
<p>The <em>Feldenkrais Method</em> is an exquisite movement technology that retrains the nervous system.  Pain from old injuries, past traumas, and inefficient habits is often the result of how the nervous system processes information.  Feldenkrais’ gentle, pleasant movement sequences are done slowly while lying, sitting or sometimes standing in a non-competitive learning environment where awareness is stressed over performance.  The slow, repetitive movements help students recognize and eliminate limiting habits and tensions, improving both  quality of movement and of life.</p>
<p>The motto of the Feldenkrais Method is, “Less pain, more gain.”  By accessing the kinesthetic intelligence that is everyone’s birthright, students improve without painful stretching or stressful exercises.  The carefully designed movements, developed over forty years of research, are part of many university curricula and arts programs as well as being included in rehabilitation programs throughout the world</p>
<p>.   Certified teachers guide the students’ awareness, allowing a relaxing learning experience that often goes beyond motor learning. Group classes, called <em>Awareness Through Movement®</em> lessons, are an affordable, safe way to have a regular movement practice.  <em>Functional Integration®</em>, (one on one lessons) offer custom programs that target an individual’s needs.  For a detailed description of both types of learning, visit: http://laviniaplonka.com/feldenkrais.html.</p>
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		<title>My Bi-Partison Self</title>
		<link>http://thecreativebody.com/2011/08/my-bi-partison-self/</link>
		<comments>http://thecreativebody.com/2011/08/my-bi-partison-self/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 01:45:16 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[eyes]]></category>
		<category><![CDATA[head]]></category>
		<category><![CDATA[left handed]]></category>
		<category><![CDATA[neck]]></category>
		<category><![CDATA[right handed]]></category>
		<category><![CDATA[shoulders]]></category>
		<category><![CDATA[symmetry]]></category>
		<category><![CDATA[tennis elbow]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=135</guid>
		<description><![CDATA[All this talk about the right and left not able to come to an agreement, unable to strike a balance, and trying to undermine each other’s efforts made me think of the invisible divisions between my right and left sides.  It &#8230; <a href="http://thecreativebody.com/2011/08/my-bi-partison-self/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img style="padding: 0 0 10px 15px;" src="http://pr.ak.vresp.com/cd151af54/www.laviniaplonka.com/images/newsletters/photos/us-congress.jpeg" alt="US Congress" width="239" height="154" align="right" /> All this talk about the right and left not able to come to an agreement, unable to strike a balance, and trying to undermine each other’s efforts made me think of the invisible divisions between my right and left sides.  It seems sometimes that like the Biblical quote, my left hand truly has no idea what the right hand is doing.  I recently was working with a student who had tennis elbow from overuse of her mouse.  She tried moving the mouse to the left side, then found herself reaching over to the left side of her computer with her right hand, and sometimes even slapping the left hand out of the way!  The human being, unlike most mammals, is wired asymmetrically.  It has been suggested that humans evolved right and left handedness through battle: the right hand held the sword, the left the shield.  Nowadays, the right handed person holds the keys in the right and the groceries in the left.  We don’t want to become symmetrical any more than we’d want a one party system to run our government.  But we can create harmony and cooperation by appreciating the gifts each side has to bring.  If you sit quietly and slowly turn your head to the right, what turns with you?  Your eyes?  Your shoulders?  Your thoughts?  When you turn to the left, how is it different?  Does your neck feel different?  Do you see differently?  One of my life’s ambitions is to stand on the floor of the House of Representatives and say, “All right everyone, now slowly gently turn right.  And now turn left.  What is your experience?”  Imagine if the two sides learned to communicate!</p>
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		<title>Lost and Found</title>
		<link>http://thecreativebody.com/2011/07/lost-and-found/</link>
		<comments>http://thecreativebody.com/2011/07/lost-and-found/#comments</comments>
		<pubDate>Tue, 05 Jul 2011 21:19:08 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[brain]]></category>
		<category><![CDATA[brain map]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[lost]]></category>
		<category><![CDATA[map]]></category>
		<category><![CDATA[the Feldenkrais Method]]></category>
		<category><![CDATA[undiscovered country]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=126</guid>
		<description><![CDATA[When I recently visited Prague, I carried a map in order to navigate the labyrinthine streets.  After getting helplessly lost several times, I realized that layout of the actual streets was more complex than it appeared. In Budapest, we went &#8230; <a href="http://thecreativebody.com/2011/07/lost-and-found/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecreativebody.com/wp-content/uploads/2011/07/You-are-here1.jpg"><img class="alignright size-medium wp-image-128" title="You are here" src="http://thecreativebody.com/wp-content/uploads/2011/07/You-are-here1-300x205.jpg" alt="" width="300" height="205" /></a>When I recently visited Prague, I carried a map in order to navigate the labyrinthine streets.  After getting helplessly lost several times, I realized that layout of the actual streets was more complex than it appeared.</p>
<p>In Budapest, we went in search of the Gellert Baths.  The guidebook said it was only 2.5 km from our hotel, a 2 mile stroll.  After what seemed like an eternity, we found a sign that said Gellert something or other and a staircase.  Three hundred stairs later, someone informed us that this was Gellert <em>MOUNTAIN</em>, not the baths.  A sign is just a sign if you can’t understand it.</p>
<p>I can read all the anatomy books in the world and still not understand how best to walk, reach, jump, turn.  Scientists are constantly announcing new maps of the brain in order to explain our experience.  But the map, as they say, is not the territory.  We learn not by just by looking at self -help books and educational videos, but through experience.  It does help to have a guidebook to prepare you for a strange city or a new business venture, but in the end, you have to walk the streets yourself in order to truly know the way.</p>
<p>One of the most fascinating “undiscovered countries” is the landscape of myself.  <a href="http://laviniaplonka.com/feldenkrais.html">The Feldenkrais Method</a> allows me to travel from the known to the unknown to what I thought I knew but am now seeing from a completely different angle, like rounding an new corner and finding yourself on a familiar street.  And maybe, instead of just making a new map of my brain, I’m actually improving the territory of the city called Lavinia.</p>
<p>&nbsp;</p>
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		<title>Mirror, Mirror</title>
		<link>http://thecreativebody.com/2011/04/mirror-mirror/</link>
		<comments>http://thecreativebody.com/2011/04/mirror-mirror/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 01:21:56 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[Awareness Through Movement]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[limitations]]></category>
		<category><![CDATA[posture]]></category>
		<category><![CDATA[self]]></category>
		<category><![CDATA[self image]]></category>
		<category><![CDATA[the Feldenkrais Method]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=114</guid>
		<description><![CDATA[“We act,” said Moshe Feldenkrais, “In accordance with our self-image.”  In other words, the way I see myself in the world affects how I behave, and the way I see the world.  So much of my self-image comes from outside &#8230; <a href="http://thecreativebody.com/2011/04/mirror-mirror/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>“We act,” said Moshe Feldenkrais, “In accordance with our self-image.”  In other words, the way I see myself in the world affects how I behave, and the way I see the world.  So much of my self-image comes from outside of myself: education, upbringing, the media.  But some comes from the story I tell myself.  It’s not always in words.  Hunched shoulders and a caved in chest tells my nervous system that all is not well, and the world becomes unsafe and unsavory.  Permanently turned down corners of the mouth affect everything from posture to emotions. A clenched jaw tells the system things are out of line – whether it’s posture, life stresses or what someone has said.  This creates a cycle of pain and makes everything a struggle.</p>
<p>People often feel frustrated and disempowered by the problems they see in the world. “What can I, one puny person, do to make the world a better place?” Is it possible that by changing the way I see myself, I can change the world?  Recently a French graffiti artist named “JR” received the TED Prize for a wish for the world.  His wonderful, impossible wish is to use art “to turn the world inside out.”  In his refreshing <a href="http://www.ted.com/talks/jr_s_ted_prize_wish_use_art_to_turn_the_world_inside_out.html">TED talk</a>, he invited the world to participate in a global art project that would change the way we see the world. “To change the way you see things is already to change things themselves,” he said.</p>
<p>Whether a self-image is the result of outer circumstances, personal choices or a combination, one way to begin to change the world is to change how you see yourself.  So if things look bleak, take a moment to notice: are you breathing?  Are you tired?  Are you in pain?  <a href="http://laviniaplonka.com/feldenkrais.html">Feldenkrais lessons</a> have changed thousands of people’s lives –from children with brain damage to Olympic athletes.  These people go on to change our world.  One Feldenkrais lesson at a time.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Feets Don&#8217;t Fail Me Now!</title>
		<link>http://thecreativebody.com/2011/04/feets-dont-fail-me-now/</link>
		<comments>http://thecreativebody.com/2011/04/feets-dont-fail-me-now/#comments</comments>
		<pubDate>Sun, 17 Apr 2011 20:01:30 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Bob Hope]]></category>
		<category><![CDATA[bunion]]></category>
		<category><![CDATA[confident]]></category>
		<category><![CDATA[feet]]></category>
		<category><![CDATA[feet don't fail me]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[flat foot]]></category>
		<category><![CDATA[walk]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=108</guid>
		<description><![CDATA[My sister and I picked up this expression from an old Bob Hope movie and made it our goofy mantra for whenever we found ourselves in a difficult situation.  More recently, I was teaching a class where I asked people &#8230; <a href="http://thecreativebody.com/2011/04/feets-dont-fail-me-now/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecreativebody.com/wp-content/uploads/2011/04/platform-shoes1.jpg"><img class="alignright size-medium wp-image-109" title="platform shoes" src="http://thecreativebody.com/wp-content/uploads/2011/04/platform-shoes1-300x295.jpg" alt="Feet don't fail me now!" width="300" height="295" /></a>My sister and I picked up this expression from an old Bob Hope movie and made it our goofy mantra for whenever we found ourselves in a difficult situation.  More recently, I was teaching a class where I asked people if they knew where their feet were and everyone laughed.  But upon examination, most people were not sure which way their toes pointed, how their foot contacted the floor while walking or how they pushed off.  In fact, for most people, our feet are so far away, we only think of them when they hurt.</p>
<p>Yet every day, our feet take us to work, jogging, dancing, into and out of trouble. They help carry endless bags of groceries, babies, laptops, or bags of mulch. They lead us to job interviews, wars, first dates, parties, divorces, diplomatic negotiations, and the dreaded committee meeting.  Another expression, “Putting your best foot forward,” can suddenly have a deeper meaning.</p>
<p>Your feet go where your mind takes them.  On a mission?  Your feet race to get you there on time.  Daydreaming in the park? Your feet shuffle along, maybe kicking a stone, meandering over to a flower.  Darwin once said that we stamp our feet when angry because we are frustrated that we can’t get what we want in the same way that a horse trapped in a barn will stomp his hooves.</p>
<p>So what happens when your feet won’t obey your mind?  Maybe you’d like to be assertive and confident, but your feet insist on turning out like duck feet, forcing you to not move as efficiently as you like.  Painful bunions and “fallen arches” likewise create limitations for “stepping up to the plate.” Often these foot challenges affect the knees, hips and even posture.  Those two little supports down at the bottom of your body are really important after all!</p>
<p>There are many explorations you can do to develop awareness and comfort in your feet. Here is a simple movement sequence based on the <a href="http://laviniaplonka.com/feldenkrais.html">Feldenkrais Method</a> you can play with.  If you find this helpful or intriguing, you can find a <a href="http://feldenkrais.com">teacher</a> or <a href="http://laviniaplonka.com/products.html">CD</a>s to help you learn more.</p>
<p>This exercise works better if you can do it without shoes. Stand with your hands on a wall or on the back of a chair.  Notice where the weight is under your feet without trying to fix anything.  Shift your weight to your left leg and begin to raise and lower your right heel by bending your right knee.  As you do it, notice if your pelvis is affected at all.  Allow your pelvis to tilt as you raise your heel.  Which way feels more logical?  Rest, then try the same thing on the left.  After resting again, (feel free to sit down) shift your weight to the left leg again, and this time, begin to raise the ball of your right foot.  Which way would your pelvis go now?  The leg remains straight, and you tilt your pelvis so that your tailbone reaches back and you create a bigger curve in your lower back.  Try the same thing on the left, including the movement of the pelvis in each direction.  Then try going from heel to toe a few times on each foot.</p>
<p>Just stand still a moment and notice if your feet touch differently now.  Take a walk around and see if your feet and your mind are communicating differently than before.</p>
<p>&nbsp;</p>
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		<title>Listen To the Hand</title>
		<link>http://thecreativebody.com/2011/03/listen-to-the-hand/</link>
		<comments>http://thecreativebody.com/2011/03/listen-to-the-hand/#comments</comments>
		<pubDate>Wed, 30 Mar 2011 14:53:48 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[body language]]></category>
		<category><![CDATA[breathe]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[Delsarte]]></category>
		<category><![CDATA[gesture]]></category>
		<category><![CDATA[hand]]></category>
		<category><![CDATA[thoughts]]></category>
		<category><![CDATA[walking your talk]]></category>

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		<description><![CDATA[Whether you were taught to fold your hands on your lap, hold your hands behind your back, or shove them in your pockets, you won’t be able to avoid the fact that your hands are communicating all the time.  After &#8230; <a href="http://thecreativebody.com/2011/03/listen-to-the-hand/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecreativebody.com/wp-content/uploads/2011/03/hands1.jpg"><img class="alignright size-full wp-image-102" title="hands" src="http://thecreativebody.com/wp-content/uploads/2011/03/hands1.jpg" alt="" width="253" height="255" /></a>Whether you were taught to fold your hands on your lap, hold your hands behind your back, or shove them in your pockets, you won’t be able to avoid the fact that your hands are communicating all the time.  After many years of debate, researchers have finally agreed with ancient wisdom: gestures precede words.  Although we can’t travel back to early humans and how they communicated, we can surmise from this that gesture has been a key ingredient in conversation for millions of years.</p>
<p>Most people think that we gesture in order to help clarify our ideas to others.  But we’re really gesturing in order to clarify our ideas to <em>ourselves.</em> The movement of your hands are like a feedback device to your brain.  We’ve all heard the cliché, “Actions speak louder than words.”  Your gestures often reveal the truth behind your carefully chosen words.</p>
<p>In the early nineteenth century, a man named <a href="http://en.wikipedia.org/wiki/Fran%C3%A7ois_Delsarte">Francois Delsarte</a> was the premier body language expert of his time.  He developed a system for studying the whole body and how it communicates.  Long before modern science, Delsarte stated that the hands were connected to the thoughts.  “Gestures are the lightning, words are the thunder,” he once said.  Besides identifying parts of the hand associated with our mental, emotional and physical processes, Delsarte broke our gesture language into nine functions:</p>
<p>1)    To define or indicate – e.g. pointing.</p>
<p>2)    To affirm or deny –hand moving up and down, or sideways</p>
<p>3)    To mold or detect – fingers softly coming apart and together</p>
<p>4)    To conceal or reveal – closing and opening fist</p>
<p>5)    To surrender or hold – open palm or cupped palm</p>
<p>6)    To accept or reject – palm beckons or palm pushes away</p>
<p>7)    To inquire or acquire – hand reaches or pulls inward</p>
<p>8)    To support or protect – palm up or covering</p>
<p>9)    To caress or attack – to stroke or slap</p>
<p>You can experience the difference in how a gesture affects the quality of your words by saying a simple sentence:  “I have no idea.”  If your palm pushes away, you are rejecting the whole concept.  Try it with closed fists, and you can feel how it’s as if you’re holding something back.  Reach your hand out to someone and you’re begging for the answer.  These are just a few ways to amplify the words.  Of course, hand gestures are a small part of your body’s story.</p>
<p>Play around with the following sentences and see how changing your hands affects the words. Pay attention to what the rest of your body chooses to do as you gesture.</p>
<p>“You can count on me.”</p>
<p>“I can count on you.”</p>
<p>“I really like that idea.”</p>
<p>“Have you considered another alternative?”</p>
<p>“I am definitely qualified for the job.”</p>
<p>There is a Greek saying that “language was invented so that men could lie.” But it takes mastery to control one’s gestures.  You can begin today with some simple things to remember while in conversation.</p>
<p>1) If you want someone to trust or like you, don’t put your hands in your pockets.  It means you’re literally “hiding your thoughts.”  In television, they call hands in pockets “the kiss of death” for a TV guest.</p>
<p>2) While folding your arms across your chest does not, as is commonly believed, always mean you are “closed”, it is a protective gesture.  You may be feeling insecure, or want to keep your thoughts to yourself, literally.  It can affect your easy breathing (more on that in a later article).  It limits your gestures, making people feel you are holding back. Just try to check in with yourself when you catch yourself folding your arms in a conversation.</p>
<p>3) When in doubt, as weird as it feels, allow your arms to rest by your sides.  That neutral space gives people permission to speak to you.</p>
<p>&nbsp;</p>
<p>4) As your mother said, avoid pointing, unless you’re trying to direct people’s attention to something.  Pointing <em>at</em> someone always feels like an attack or an accusation.</p>
<p>5) Be aware of clenching your fists.  Even though it seems like a small gesture, it betrays and actually causes tension as well as again, giving the impression of hiding something.</p>
<p>My book, <a href="http://www.amazon.com/Walking-Your-Talk-Changing-Language/dp/1585425427/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1301494700&amp;sr=8-1">Walking Your Talk: Changing Your Life Through the Magic of Body Language,</a> contains many more exercises that can help you understand your gestures.</p>
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		<title>Stopping Time</title>
		<link>http://thecreativebody.com/2011/03/stopping-time/</link>
		<comments>http://thecreativebody.com/2011/03/stopping-time/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 22:33:14 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[Awareness Through Movement]]></category>
		<category><![CDATA[breathe]]></category>
		<category><![CDATA[Einstein]]></category>
		<category><![CDATA[entropy]]></category>
		<category><![CDATA[Jeremy Rifkin]]></category>
		<category><![CDATA[Moshe Feldenkrais]]></category>
		<category><![CDATA[Red Queen]]></category>
		<category><![CDATA[stress]]></category>
		<category><![CDATA[the Feldenkrais Method]]></category>
		<category><![CDATA[time]]></category>

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		<description><![CDATA[Einstein once said: “When you sit with a nice girl for two hours, it seems like two minutes. When you sit on a hot stove for two minutes, it seems like two hours.  That&#8217;s relativity.&#8221; Everyone is moaning that time &#8230; <a href="http://thecreativebody.com/2011/03/stopping-time/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecreativebody.com/wp-content/uploads/2011/03/stop-time.jpg"><img class="alignright size-medium wp-image-98" title="stop time" src="http://thecreativebody.com/wp-content/uploads/2011/03/stop-time-300x204.jpg" alt="" width="300" height="204" /></a>Einstein once said: “When you sit with a nice girl for two hours, it seems like two minutes. When you sit on a hot stove for two minutes, it seems like two hours.  That&#8217;s relativity.&#8221;</p>
<p>Everyone is moaning that time is speeding up, that we have less time to think, plan, rest, as we scurry every faster like the Red Queen in <em>Through the Looking Glass.</em> But if Einstein is right, then time is just another perception. So if the faster you go, the faster time goes, what would be the opposite?  Why slowing down of course.  <a href="http://www.foet.org/JeremyRifkin.htm">Jeremy Rifkin</a>, in his book, Time Wars, suggested that when time seems to be going too quickly, the best thing to do is to just stop and be present. If I am in the present moment, time doesn’t even exist, because every moment is just right now.</p>
<p>The other day, my internet went down as I was reading an article on entropy.  Wow, disorder right before my very eyes, I thought.  After waiting, and cursing, and wandering about the house like a lost soul, I found myself in my library staring at the Encyclopedia Brittanica.  Yup, the real thing, all thirty volumes, staring reproachfully at me, abandoned and forgotten for years. I looked up entropy. I soon had seven volumes spread out on the bed and actually thought, “It’s like 3D Google!” Among all the fascinating things I read was an explanation that entropy proves the irreversibility of time.  So, if I stop time, am I reversing entropy?</p>
<p>Every <a href="http://www.laviniaplonka.com/feldenkrais.html">Feldenkrais</a> lesson is an opportunity to reverse entropy.  Or at least to stop time for a bit.  Moving slowly, pausing and allowing your attention to expand, has been known to reduce stress and anxiety, two products of our hurried lifestyle.  Who knows, maybe if everyone lies down at the same time to just listen their breath, we could, well, change the world.</p>
<p>So after reading this, just for a moment, stop. This is your moment.</p>
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