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	<title>The Creative Body</title>
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	<description>Synthesizing movement, awareness and the arts</description>
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	<itunes:summary>Synthesizing movement, awareness and the arts</itunes:summary>
	<itunes:author>The Creative Body</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:owner>
		<itunes:name>The Creative Body</itunes:name>
		<itunes:email>laviniaplonka@gmail.com</itunes:email>
	</itunes:owner>
	<managingEditor>laviniaplonka@gmail.com (The Creative Body)</managingEditor>
	<copyright>Copyright &#xA9; The Creative Body 2012</copyright>
	<itunes:subtitle>Synthesizing movement, awareness and the arts</itunes:subtitle>
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		<title>The Creative Body</title>
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		<link>http://thecreativebody.com</link>
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		<title>Sex Appeal</title>
		<link>http://thecreativebody.com/2012/04/sex-appeal/</link>
		<comments>http://thecreativebody.com/2012/04/sex-appeal/#comments</comments>
		<pubDate>Mon, 23 Apr 2012 14:18:46 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Awareness Through Movement]]></category>
		<category><![CDATA[Casanova]]></category>
		<category><![CDATA[confident]]></category>
		<category><![CDATA[Elvis]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[Moshe Feldenkrais]]></category>
		<category><![CDATA[posture]]></category>
		<category><![CDATA[risk]]></category>
		<category><![CDATA[self-esteem]]></category>
		<category><![CDATA[sex]]></category>
		<category><![CDATA[sex appeal]]></category>
		<category><![CDATA[sexy]]></category>

		<guid isPermaLink="false">http://thecreativebody.com/?p=214</guid>
		<description><![CDATA[Casanova has been described as swarthy and with a large nose, yet he managed to seduce his way through Europe.  Milton Erickson, who was wheelchair bound, was always surrounded by admiring women at events.  Moshe Feldenkrais, who in appearance was &#8230; <a href="http://thecreativebody.com/2012/04/sex-appeal/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Casanova has been described as swarthy and with a large nose, yet he managed to seduce <img title="sex appeal" src="http://img-ak.verticalresponse.com/media/f/8/f/f8f698880a/47dc112824/sex%20appeal.JPG?__nocache__=1" alt="sex appeal" width="231" height="215" align="right" border="0" hspace="10" vspace="0" />his way through Europe.  <a href="http://erickson-foundation.org/">Milton Erickson</a>, who was wheelchair bound, was always surrounded by admiring women at events.  Moshe Feldenkrais, who in appearance was no Brad Pitt, was nevertheless, a chick magnet.  What is that ineffable quality that makes a person irresistible?  Why are people still building shrines to Elvis and not to Paul Anka?</p>
<p> In his autobiography, Casanova said, “My currency was an unbridled self-esteem…” What is the difference between self-esteem and arrogance?  Is there a physical formula to sex appeal? And is sex appeal just about sex? What is it about <a href="http://www.youtube.com/watch?v=FiMK9e0h6YE">Adele</a> that is so irresistible? It’s not just her voice, yet….</p>
<p>Our posture communicates our tensions, fears and anxieties as clearly as a written book.  Even though most people can’t precisely decode our holding patterns when they talk to us, they can sense when we are relaxed and “embodied” and when there is a “lack of self-esteem.” </p>
<p>Feldenkrais didn’t use the word posture.  Instead, he coined a new word: acture. Good acture is the ability to move in any direction at will.  This ability means one has to have a clarity of intention, a sense of equipoise, and the ability to choose the most effective action in the moment.   Now that would give anyone a “unbridled self-esteem.”</p>
<p>Casanova was vilified by many, as was Elvis. But what if it wasn’t their look,  their posture, or even their smile?  Each of the people above was a risk taker.  Each one was willing to step up to the plate and be utterly unique.  That can be very threatening to those who don’t dare to make mistakes.  But for most of us, it’s pretty darn sexy. </p>
<p>What I’ve discovered through Feldenkrais lessons is that there is an elegant way to be authentic, without all the compulsions that come from tension and insecurity.  What if real self-esteem is the ability to do what you want?  By observing our habits, and seeing those self-limiting beliefs that govern our movements and posture, we can develop our own version of sex appeal without stress. </p>
<p>My students are probably sick of this quote, but I can’t resist ending with Moshe Feldenkrais’ famous quote, “If you know what you’re doing, you can do what you want.” Now to me, that’s sexy!</p>
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		<item>
		<title>Interview with Lavinia!</title>
		<link>http://thecreativebody.com/2012/04/interview-with-lavinia/</link>
		<comments>http://thecreativebody.com/2012/04/interview-with-lavinia/#comments</comments>
		<pubDate>Sat, 07 Apr 2012 22:02:42 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Asheville Movement Center]]></category>
		<category><![CDATA[Awareness Through Movement]]></category>
		<category><![CDATA[body language]]></category>
		<category><![CDATA[body-mind]]></category>
		<category><![CDATA[breathe]]></category>
		<category><![CDATA[exercise]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[habits]]></category>
		<category><![CDATA[Lavinia Plonka]]></category>
		<category><![CDATA[life]]></category>
		<category><![CDATA[Moshe Feldenkrais]]></category>
		<category><![CDATA[pain]]></category>
		<category><![CDATA[reaching]]></category>
		<category><![CDATA[self improvement]]></category>
		<category><![CDATA[stretching]]></category>
		<category><![CDATA[the Feldenkrais Method]]></category>
		<category><![CDATA[walking your talk]]></category>

		<guid isPermaLink="false">http://thecreativebody.com/?p=196</guid>
		<description><![CDATA[Here&#8217;s a recent Sterling Spin Radio interview I did about Feldenkrais, awareness, recovery, my personal journey, inspiration and more. Enjoy!]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecreativebody.com/wp-content/uploads/2012/03/laviniaface.jpg"><img class=" wp-image-206 alignleft" title="Lavinia Plonka" src="http://thecreativebody.com/wp-content/uploads/2012/03/laviniaface.jpg" alt="" width="171" height="239" /></a></p>
<p>Here&#8217;s a recent <a title="Sterling Spin Radio" href="http://www.sterlingspin.com/">Sterling Spin</a> Radio interview I did about Feldenkrais, awareness, recovery, my personal journey, inspiration and more. Enjoy!</p>

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			<itunes:keywords>Asheville Movement Center,Awareness Through Movement,body language,body-mind,breathe,exercise,Feldenkrais,habits,Lavinia Plonka,life,Moshe Feldenkrais,pain</itunes:keywords>
		<itunes:subtitle>Here&#039;s a recent Sterling Spin Radio interview I did about Feldenkrais, awareness, recovery, my personal journey, inspiration and more. Enjoy!</itunes:subtitle>
		<itunes:summary>Here&#039;s a recent Sterling Spin Radio interview I did about Feldenkrais, awareness, recovery, my personal journey, inspiration and more. Enjoy!</itunes:summary>
		<itunes:author>The Creative Body</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>27:31</itunes:duration>
	</item>
		<item>
		<title>You&#8217;ve Got the Power</title>
		<link>http://thecreativebody.com/2012/03/youve-got-the-power/</link>
		<comments>http://thecreativebody.com/2012/03/youve-got-the-power/#comments</comments>
		<pubDate>Mon, 19 Mar 2012 16:52:04 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[confident]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[limitations]]></category>
		<category><![CDATA[Moshe Feldenkrais]]></category>
		<category><![CDATA[mother nature]]></category>
		<category><![CDATA[passion]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[purpose]]></category>
		<category><![CDATA[self]]></category>
		<category><![CDATA[the Feldenkrais Method]]></category>
		<category><![CDATA[The Potent Self]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[universe]]></category>

		<guid isPermaLink="false">http://thecreativebody.com/?p=176</guid>
		<description><![CDATA[Earthquakes. Hurricanes. Tornadoes. Floods.  Oh my. This morning, gale force winds whipped through my yard, downing a tree, and knocking out the power. In the face of nature’s power, human achievement can be rendered meaningless in less than thirty seconds.  I suddenly felt so &#8230; <a href="http://thecreativebody.com/2012/03/youve-got-the-power/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecreativebody.com/wp-content/uploads/2012/03/superherologo.jpg"><br /><img class="alignright size-medium wp-image-177" title="You've Got the Power" src="http://thecreativebody.com/wp-content/uploads/2012/03/superherologo-300x300.jpg" alt="" width="300" height="300" /></a>Earthquakes. Hurricanes. Tornadoes. Floods.  Oh my. This morning, gale force winds whipped through my yard, downing a tree, and knocking out the power. In the face of nature’s power, human achievement can be rendered meaningless in less than thirty seconds.  I suddenly felt so tiny, so….powerless. I remembered <a href="http://cts.vresp.com/c/?LaviniaPlonka/aefda768e9/a7d407d079/21f6c45116/v=eScDfYzMEEw" target="_blank">George Carlin’s</a> monologue railing against environmentalists.  “And the greatest arrogance of all: save the planet. Save the planet, we don’t even know how to take care of ourselves yet. ….The planet isn’t going anywhere. WE are!”<br />And yet, I recycle.  I turn off the lights.  I bring my own shopping bag tothe supermarket.  Am I really helping the earth?  All I know is that I’m probably not hurting it.  Unless of course, as Mr. Carlin also  suggested, (tongue firmly in cheek) maybe the earth needs plastic. <br />And although there are folks who are trying to seed clouds, and conspiracy theorists whisper about the chem trails that are manipulating our weather patterns, fact is, there is no greater power on earth than Mother Nature. No president, Ayatollah, or Donald Trump has greater power than a Category 5 hurricane. All the money and guns in the world can do nothing against a tornado. <br />But I can still be powerful.  By having dominion over myself.  Each person is a kingdom (or a republic), with disparate needs, conflicting points of view and a common aim: to thrive. We can develop a power far greater than anything given from the outside.  <a href="http://www.feldenkrais.com/">Moshe</a> <a href="http://www.laviniaplonka.com/feldenkrais.html">Feldenkrais</a>, in his book <a href="http://cts.vresp.com/c/?LaviniaPlonka/aefda768e9/a7d407d079/19cdaffa1f" target="_blank">The Potent Self</a>, said, “Within the boundary of our body and in a restricted space and period of time around it, we are the most important part of the universe, but outside these limits we are of no importance or significance whatsoever…..Recognizing our insignificance, the unimportance of what we think, do, or cannot do, we find ourselves in full mastery of ourselves to the potential limit of our ability.” Andrew Dawson, a Feldenkrais teacher from England, recently gave a <a href="http://cts.vresp.com/c/?LaviniaPlonka/aefda768e9/a7d407d079/5894d62337/name=Andrew_Dawson_-_Part_III_at_TEDMED_2011&amp;q=updated&amp;year=all" target="_blank">TED talk</a> that explores just the possibility between the thumb and the fingers. To listen to the needs of the nervous system, to reconcile the conflicts between the thoughts and the emotions, to nurture and support the development of physical well-being, to actually see the landscape of the self and make the right choices; now that would be power indeed. </p>
<p>See you on the floor,<br />Lavinia</p>
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		<title>On The Other Hand</title>
		<link>http://thecreativebody.com/2012/02/on-the-other-hand/</link>
		<comments>http://thecreativebody.com/2012/02/on-the-other-hand/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 02:47:33 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[Awareness Through Movement]]></category>
		<category><![CDATA[creativity]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[Moshe Feldenkrais]]></category>
		<category><![CDATA[movement]]></category>
		<category><![CDATA[the matrix]]></category>

		<guid isPermaLink="false">http://thecreativebody.com/?p=172</guid>
		<description><![CDATA[            An article by Herbert Wray recently suggested that movement enhances creative thinking.  Imagine that J. It cited a number of very serious studies, including one where they told people to gesture with their hands &#8230; <a href="http://thecreativebody.com/2012/02/on-the-other-hand/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>            <a href="http://thecreativebody.com/wp-content/uploads/2012/02/box.jpg"><img class="alignright size-medium wp-image-173" title="box" src="http://thecreativebody.com/wp-content/uploads/2012/02/box-300x170.jpg" alt="" width="300" height="170" /></a>An article by <a href="http://www.huffingtonpost.com/wray-herbert/physical-creative-process-_b_1031291.html?ref=mostpopular">Herbert Wray</a> recently suggested that movement enhances creative thinking.  Imagine that J. It cited a number of very serious studies, including one where they told people to gesture with their hands as they spoke.  The people who literally embodied “on the other hand,” by using both hands to solve a problem, came up with more creative solutions than the people who only gestured with one hand.   </p>
<p>            I’m guessing Mr. Wray never read any of <a href="http://feldenkrais.com">Moshe Feldenkrais</a>’ writing, or he would have known that movement and creativity have been linked for over 50 years.  In developing <a href="http://laviniaplonka.com/feldenkrais.html">Awareness Through Movement®</a> lessons, Feldenkrais often said, “It’s not flexible bodies, it’s flexible minds I’m after.”  He understood the link between movement and thinking in ways that modern science is only now beginning to verify. </p>
<p>            When people regularly attend Feldenkrais classes, perceived limitations and obstacles become opportunities for seeing in a completely new way.  In Wray’s article, he speaks about people literally thinking “outside the box” by walking around the outside of a box.  In Feldenkrais classes, we can go beyond that and realize that even the box is a perception. We can think through and around the box.  In the movie <em><a href="http://www.imdb.com/title/tt0133093/">The Matrix</a></em>, the hero encounters a child bending a spoon with her mind.  The child says, “The secret is, there is no spoon.”  Instead of struggling with challenges in a habitual way, the challenges transform and disappear, like the spoon.  Feldenkrais students don’t just think outside the box; they learn that indeed, there is no box.</p>
<p>&nbsp;</p>
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		<title>Doors of Perception</title>
		<link>http://thecreativebody.com/2011/12/doors-of-perception/</link>
		<comments>http://thecreativebody.com/2011/12/doors-of-perception/#comments</comments>
		<pubDate>Tue, 27 Dec 2011 03:43:00 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[awareness]]></category>
		<category><![CDATA[breath]]></category>
		<category><![CDATA[doors]]></category>
		<category><![CDATA[present]]></category>
		<category><![CDATA[relax]]></category>
		<category><![CDATA[sense]]></category>
		<category><![CDATA[threshold]]></category>
		<category><![CDATA[time]]></category>

		<guid isPermaLink="false">http://thecreativebody.com/?p=167</guid>
		<description><![CDATA[Finally! There is a scientific explanation for forgetting. I feel so relieved. A recent study has found that when you cross a threshold or go through a doorway, you experience a temporal distortion that places you in a different time/space than &#8230; <a href="http://thecreativebody.com/2011/12/doors-of-perception/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Finally! There is a scientific explanation for forgetting. I feel so relieved. A <a href="http://bps-research-digest.blogspot.com/2011/11/how-walking-through-doorway-increases.html">recent study</a> has found that when you cross a threshold or go through a doorway, you experience a temporal distortion that places you in a different time/space than on the other side. So of course you can&#8217;t remember why you came into the room. Was it to check the weather? Pick up that sweater? Sometimes you have to go back through the door in order to remember.</p>
<p><div id="attachment_168" class="wp-caption alignright" style="width: 249px"><a href="http://thecreativebody.com/wp-content/uploads/2011/12/Doors-72dpi-1.jpg"><img class="size-medium wp-image-168" title="The Way" src="http://thecreativebody.com/wp-content/uploads/2011/12/Doors-72dpi-1-239x300.jpg" alt="" width="239" height="300" /></a><p class="wp-caption-text">photo: Ron Morecraft</p></div>
<p>How many doors will you pass through this holiday season? Relatives&#8217; homes, airport terminals, department stores: all offer thresholds. Will you remember or will you forget what&#8217;s really important?</p>
<p> This season, I&#8217;m going to use the doorway as an invitation to remember&#8230;me. As an experiment, I will try to remember to pause and take a breath, sense my feet on the floor and maybe even relax my shoulders. Then it should be a breeze to step into the present, the most precious gift of all.</p>
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		<title>Take 2 elevator speech</title>
		<link>http://thecreativebody.com/2011/11/take-2-elevator-speech/</link>
		<comments>http://thecreativebody.com/2011/11/take-2-elevator-speech/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 02:01:58 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=156</guid>
		<description><![CDATA[Thanks for all the feedback both here and in Facebook.  Here&#8217;s take 2: “Less pain, more gain,” is the Feldenkrais motto.  Gentle, easy movement sequences developed over forty years of research change the way you move and in the process &#8230; <a href="http://thecreativebody.com/2011/11/take-2-elevator-speech/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Thanks for all the feedback both here and in Facebook.  Here&#8217;s take 2:</p>
<p>“Less pain, more gain,” is the Feldenkrais motto.  Gentle, easy movement sequences developed over forty years of research change the way you move and in the process change the way you feel, think and act in all aspects of your life.  In both group classes, called Awareness Through Movement® and private lessons (Functional Integration®),  the emphasis is on inquiry, not striving.  The movements, done lying down, sitting and standing, improve posture, breathing, range of motion and quality of life.  There is nothing to memorize and anyone can participate. From Olympic athletes and baby boomers to musicians and people with neurological challenges, the Feldenkrais Method offers a non-invasive way to live life the way you want it.</p>
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		<title>Feldenkrais Elevator Speech</title>
		<link>http://thecreativebody.com/2011/11/feldenkrais-elevator-speech/</link>
		<comments>http://thecreativebody.com/2011/11/feldenkrais-elevator-speech/#comments</comments>
		<pubDate>Mon, 07 Nov 2011 22:05:59 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=151</guid>
		<description><![CDATA[So many people tell me that they have a hard time explaining to their friends what Feldenkrais is.  So I am creating a little card for them to hand to the questioners.  Thing is, I know what Feldenkrais is, so &#8230; <a href="http://thecreativebody.com/2011/11/feldenkrais-elevator-speech/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>So many people tell me that they have a hard time explaining to their friends what Feldenkrais is.  So I am creating a little card for them to hand to the questioners.  Thing is, I <em>know </em>what Feldenkrais is, so sometimes I miss what might help clarify an explanation.  So I&#8217;m posting it here to get your feedback.  Better yet, share it with someone who doesn&#8217;t know what it is and let me know what they think! And then we can all use it to make the elusive, obvious.</p>
<p>The <em>Feldenkrais Method</em> is an exquisite movement technology that retrains the nervous system.  Pain from old injuries, past traumas, and inefficient habits is often the result of how the nervous system processes information.  Feldenkrais’ gentle, pleasant movement sequences are done slowly while lying, sitting or sometimes standing in a non-competitive learning environment where awareness is stressed over performance.  The slow, repetitive movements help students recognize and eliminate limiting habits and tensions, improving both  quality of movement and of life.</p>
<p>The motto of the Feldenkrais Method is, “Less pain, more gain.”  By accessing the kinesthetic intelligence that is everyone’s birthright, students improve without painful stretching or stressful exercises.  The carefully designed movements, developed over forty years of research, are part of many university curricula and arts programs as well as being included in rehabilitation programs throughout the world</p>
<p>.   Certified teachers guide the students’ awareness, allowing a relaxing learning experience that often goes beyond motor learning. Group classes, called <em>Awareness Through Movement®</em> lessons, are an affordable, safe way to have a regular movement practice.  <em>Functional Integration®</em>, (one on one lessons) offer custom programs that target an individual’s needs.  For a detailed description of both types of learning, visit: http://laviniaplonka.com/feldenkrais.html.</p>
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		<title>My Bi-Partison Self</title>
		<link>http://thecreativebody.com/2011/08/my-bi-partison-self/</link>
		<comments>http://thecreativebody.com/2011/08/my-bi-partison-self/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 01:45:16 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[communication]]></category>
		<category><![CDATA[eyes]]></category>
		<category><![CDATA[head]]></category>
		<category><![CDATA[left handed]]></category>
		<category><![CDATA[neck]]></category>
		<category><![CDATA[right handed]]></category>
		<category><![CDATA[shoulders]]></category>
		<category><![CDATA[symmetry]]></category>
		<category><![CDATA[tennis elbow]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=135</guid>
		<description><![CDATA[All this talk about the right and left not able to come to an agreement, unable to strike a balance, and trying to undermine each other’s efforts made me think of the invisible divisions between my right and left sides.  It &#8230; <a href="http://thecreativebody.com/2011/08/my-bi-partison-self/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img style="padding: 0 0 10px 15px;" src="http://pr.ak.vresp.com/cd151af54/www.laviniaplonka.com/images/newsletters/photos/us-congress.jpeg" alt="US Congress" width="239" height="154" align="right" /> All this talk about the right and left not able to come to an agreement, unable to strike a balance, and trying to undermine each other’s efforts made me think of the invisible divisions between my right and left sides.  It seems sometimes that like the Biblical quote, my left hand truly has no idea what the right hand is doing.  I recently was working with a student who had tennis elbow from overuse of her mouse.  She tried moving the mouse to the left side, then found herself reaching over to the left side of her computer with her right hand, and sometimes even slapping the left hand out of the way!  The human being, unlike most mammals, is wired asymmetrically.  It has been suggested that humans evolved right and left handedness through battle: the right hand held the sword, the left the shield.  Nowadays, the right handed person holds the keys in the right and the groceries in the left.  We don’t want to become symmetrical any more than we’d want a one party system to run our government.  But we can create harmony and cooperation by appreciating the gifts each side has to bring.  If you sit quietly and slowly turn your head to the right, what turns with you?  Your eyes?  Your shoulders?  Your thoughts?  When you turn to the left, how is it different?  Does your neck feel different?  Do you see differently?  One of my life’s ambitions is to stand on the floor of the House of Representatives and say, “All right everyone, now slowly gently turn right.  And now turn left.  What is your experience?”  Imagine if the two sides learned to communicate!</p>
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		<title>Lost and Found</title>
		<link>http://thecreativebody.com/2011/07/lost-and-found/</link>
		<comments>http://thecreativebody.com/2011/07/lost-and-found/#comments</comments>
		<pubDate>Tue, 05 Jul 2011 21:19:08 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[brain]]></category>
		<category><![CDATA[brain map]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[lost]]></category>
		<category><![CDATA[map]]></category>
		<category><![CDATA[the Feldenkrais Method]]></category>
		<category><![CDATA[undiscovered country]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=126</guid>
		<description><![CDATA[When I recently visited Prague, I carried a map in order to navigate the labyrinthine streets.  After getting helplessly lost several times, I realized that layout of the actual streets was more complex than it appeared. In Budapest, we went &#8230; <a href="http://thecreativebody.com/2011/07/lost-and-found/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><a href="http://thecreativebody.com/wp-content/uploads/2011/07/You-are-here1.jpg"><img class="alignright size-medium wp-image-128" title="You are here" src="http://thecreativebody.com/wp-content/uploads/2011/07/You-are-here1-300x205.jpg" alt="" width="300" height="205" /></a>When I recently visited Prague, I carried a map in order to navigate the labyrinthine streets.  After getting helplessly lost several times, I realized that layout of the actual streets was more complex than it appeared.</p>
<p>In Budapest, we went in search of the Gellert Baths.  The guidebook said it was only 2.5 km from our hotel, a 2 mile stroll.  After what seemed like an eternity, we found a sign that said Gellert something or other and a staircase.  Three hundred stairs later, someone informed us that this was Gellert <em>MOUNTAIN</em>, not the baths.  A sign is just a sign if you can’t understand it.</p>
<p>I can read all the anatomy books in the world and still not understand how best to walk, reach, jump, turn.  Scientists are constantly announcing new maps of the brain in order to explain our experience.  But the map, as they say, is not the territory.  We learn not by just by looking at self -help books and educational videos, but through experience.  It does help to have a guidebook to prepare you for a strange city or a new business venture, but in the end, you have to walk the streets yourself in order to truly know the way.</p>
<p>One of the most fascinating “undiscovered countries” is the landscape of myself.  <a href="http://laviniaplonka.com/feldenkrais.html">The Feldenkrais Method</a> allows me to travel from the known to the unknown to what I thought I knew but am now seeing from a completely different angle, like rounding an new corner and finding yourself on a familiar street.  And maybe, instead of just making a new map of my brain, I’m actually improving the territory of the city called Lavinia.</p>
<p>&nbsp;</p>
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		<title>Mirror, Mirror</title>
		<link>http://thecreativebody.com/2011/04/mirror-mirror/</link>
		<comments>http://thecreativebody.com/2011/04/mirror-mirror/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 01:21:56 +0000</pubDate>
		<dc:creator>Lavinia Plonka</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[attention]]></category>
		<category><![CDATA[Awareness Through Movement]]></category>
		<category><![CDATA[Feldenkrais]]></category>
		<category><![CDATA[limitations]]></category>
		<category><![CDATA[posture]]></category>
		<category><![CDATA[self]]></category>
		<category><![CDATA[self image]]></category>
		<category><![CDATA[the Feldenkrais Method]]></category>

		<guid isPermaLink="false">http://laviniaplonka.com/creativebody/?p=114</guid>
		<description><![CDATA[“We act,” said Moshe Feldenkrais, “In accordance with our self-image.”  In other words, the way I see myself in the world affects how I behave, and the way I see the world.  So much of my self-image comes from outside &#8230; <a href="http://thecreativebody.com/2011/04/mirror-mirror/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>“We act,” said Moshe Feldenkrais, “In accordance with our self-image.”  In other words, the way I see myself in the world affects how I behave, and the way I see the world.  So much of my self-image comes from outside of myself: education, upbringing, the media.  But some comes from the story I tell myself.  It’s not always in words.  Hunched shoulders and a caved in chest tells my nervous system that all is not well, and the world becomes unsafe and unsavory.  Permanently turned down corners of the mouth affect everything from posture to emotions. A clenched jaw tells the system things are out of line – whether it’s posture, life stresses or what someone has said.  This creates a cycle of pain and makes everything a struggle.</p>
<p>People often feel frustrated and disempowered by the problems they see in the world. “What can I, one puny person, do to make the world a better place?” Is it possible that by changing the way I see myself, I can change the world?  Recently a French graffiti artist named “JR” received the TED Prize for a wish for the world.  His wonderful, impossible wish is to use art “to turn the world inside out.”  In his refreshing <a href="http://www.ted.com/talks/jr_s_ted_prize_wish_use_art_to_turn_the_world_inside_out.html">TED talk</a>, he invited the world to participate in a global art project that would change the way we see the world. “To change the way you see things is already to change things themselves,” he said.</p>
<p>Whether a self-image is the result of outer circumstances, personal choices or a combination, one way to begin to change the world is to change how you see yourself.  So if things look bleak, take a moment to notice: are you breathing?  Are you tired?  Are you in pain?  <a href="http://laviniaplonka.com/feldenkrais.html">Feldenkrais lessons</a> have changed thousands of people’s lives –from children with brain damage to Olympic athletes.  These people go on to change our world.  One Feldenkrais lesson at a time.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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